The Journal (Association of Illustrators) - Aug 2000
Career Opportunities
Once upon a time an Illustration final year student could sit
by their work at a degree show and wait for the offers of work
to roll in. Times change and so do the methods that graduates
employ to seek out work opportunities.
During July my BA [Hons] Graphic Design students from the University
of Brighton were kicked out of New Designers Part 2 at The Business
Design Centre! Why? For daring to challenge the blandness of the
exhibition and creating an installation that was both creative
and thought-provoking. A large cardboard box was placed in the
middle of the floor area of our designated space from out of which
poked a very attractive 1970s Radio-Rental wood-effect TV monitor.
A looped video of the students enjoying their own private view
two weeks earlier at the college played whilst a second box contained
invitations to another private view at The Truman Brewery of their
'real' work just across town in Brick Lane. The students used
the opportunity at New Designers to create some interest and stir
some emotions. New Designers did not see the funny point and we
were asked to leave for being 'too creative'!
Recently another creative opportunity was snatched by Illustrator,
Marion Deuchars. After making a number of trips to Havana, Cuba
and having produced lots of drawings, sketch books and photographs
Deuchars decided that they deserved a wider viewing. Understanding
a potential audience is a key factor in creating an opportunity
and so she approached The Independent on Saturday Magazine's Art
Director, Gary Cochran. Rather than do what most would be content
with, Deuchars cheekily mocked up the cover of the magazine with
her Cuban images and created a number of spreads that utilised
her work as well as her own text. The result; an issue in print
within weeks that looked like the magazine had commissioned Marion
Deuchars to write and produce images especially for them but also
looked not unlike the original dummy she had created as the catalyst.
If you look carefully at the credits for some recent editorial
illustration featured in various colour supplements the name of
the artist begins with www. and ends .com - another opportunity
recognised and acted upon. Why just be content with showing the
work commissioned on the page? These artists are leading potential
customers to their on-line portfolios and picking up more work
based on the extra insight to their creative world that this new
opportunity promotes.
What can we learn, what can we piece together from these examples
of creatives harnessing creative opportunities? As educators,
we have a duty to encourage students to actively seek chances
to create opportunities. Students must be taught to be more proactive,
take more risks and recognise the potential in an idea. Getting
ejected from an exhibition for being 'too creative' is far more
beneficial than sitting passively next to one's work in the vain
hope that the right job will just come along!
© Lawrence Zeegen


