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Once upon a time an Illustration final year student could sit by their work
at a degree show and wait for the offers of work to roll in. Times change
and so do the methods that graduates employ to seek out work opportunities.
During July my BA [Hons] Graphic Design students from the University of Brighton
were kicked out of New Designers Part 2 at The Business Design Centre! Why?
For daring to challenge the blandness of the exhibition and creating an installation
that was both creative and thought-provoking. A large cardboard box was placed
in the middle of the floor area of our designated space from out of which
poked a very attractive 1970s Radio-Rental wood-effect TV monitor. A looped
video of the students enjoying their own private view two weeks earlier at
the college played whilst a second box contained invitations to another private
view at The Truman Brewery of their 'real' work just across town in Brick
Lane. The students used the opportunity at New Designers to create some interest
and stir some emotions. New Designers did not see the funny point and we were
asked to leave for being 'too creative'!
Recently another creative opportunity was snatched by Illustrator, Marion
Deuchars. After making a number of trips to Havana, Cuba and having produced
lots of drawings, sketch books and photographs Deuchars decided that they
deserved a wider viewing. Understanding a potential audience is a key factor
in creating an opportunity and so she approached The Independent on Saturday
Magazine's Art Director, Gary Cochran. Rather than do what most would be content
with, Deuchars cheekily mocked up the cover of the magazine with her Cuban
images and created a number of spreads that utilised her work as well as her
own text. The result; an issue in print within weeks that looked like the
magazine had commissioned Marion Deuchars to write and produce images especially
for them but also looked not unlike the original dummy she had created as
the catalyst.
If you look carefully at the credits for some recent editorial illustration
featured in various colour supplements the name of the artist begins with
www. and ends .com - another opportunity recognised and acted upon. Why just
be content with showing the work commissioned on the page? These artists are
leading potential customers to their on-line portfolios and picking up more
work based on the extra insight to their creative world that this new opportunity
promotes.
What can we learn, what can we piece together from these examples of creatives
harnessing creative opportunities? As educators, we have a duty to encourage
students to actively seek chances to create opportunities. Students must be
taught to be more proactive, take more risks and recognise the potential in
an idea. Getting ejected from an exhibition for being 'too creative' is far
more beneficial than sitting passively next to one's work in the vain hope
that the right job will just come along!
© Lawrence Zeegen